

Invisible dances
Long exposures aren't only interesting for expressing a particular bodily and subcionscious state, as I did with 'becoming one' ( see...


becoming one: photography, improvisation and creative eruptions
Where does music come from when you improvise? Asking about the 'where' of things excites me from a phenomenological perspective: the...


seeing with camera eyes
'To collect photography is to collect the world', Susan Sontag writes in On Photography . With a beautiful resonance, this initially...


phd /2: microaggressions, affect and trauma
overexposed at the pipe factory, glasgow, june 2023 Have you ever felt that you needed to hide a part of yourself? Did someone ever look...


phd /1: letting art think
over/exposed, june 2023, leith arches edinburgh Making art within an academic inquiry is a thrilling endeavour. Firstly, because the...
'what it felt like to dream fire' screenings
The first piece of artistic research, created with the designer of sounds Bryant Keith Bayhan, is screening a couple of times in...


'Searching for Shore' at Alchemy Film & Arts
Our NoMilk NoSugar collective straight8 short 'searching for shore' was screening at Alchemy Film & Arts in the Scottish Borders, a...


A giant hunt in the North
Over winter, I worked with The Bare Project, an interactive arts company from South Yorkshire, on a film about their two-week residency...


NoMilk NoSugar's first book is out!
where one artistic journey ends, another one automatically begins... Those words from Diane Henderson and Niall Greig Fulton, from the...


Film poem 'bottled' released
'bottled' is another instance for a creative piece of work that lives on across years and media. It started as a poem written in 2016 on...
